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Chris is an sound designer specialising in musicals and plays, based in London. With over 15 years of experience in the industry, Chris has designed sound for a range of productions, including

Frankie Goes To Bollywood (UK Tour); The Hired Man
 (UK Tour): From Here To Eternity (Charing Cross Theatre): The Secret Diary of Adrian Mole; Love Letters (Queens Theatre Hornchurch): Ruff Tuff Cream Puff Estate Agency (Belgrade Theatre Coventry):The Strange Death Of John Doe (Hampstead Theatre): Mushy - Lyrically Speaking; Dishoom; Glitterball (Rifco): Counting Stars; Love 'n' Stuff; Rapunzel; Summer In London (Theatre Royal Stratford East): Wretch; Stockholm; Cider With Rosie; The Caucasian Chalk Circle; The Kitchen; Nora - A Doll's House (Mercury Theatre Colchester);The Great Murder Mystery; The Great Christmas Feast; The Lost Love Speakeasy (The Lost Estate): Various Pantomimes (Belgrade Theatre Coventry): Various Pantomimes (Imagine Theatre): The Welkin (Rose Bruford); The Witches (Watford Palace Theatre): Addams Family; Once; Mrs Beeton Says; Coram Boy; Assassins; American Idiot; Swallows & Amazons (Mountview): On The Horizon, Centre Stage (P&O Cruises):

As associate designer: Kan Yama Kan (Saudi Arabia): Miranda (Cologne Opera): Ride (Southwark Playhouse)Nigel Slater's Toast (PW Productions): Romeo & Juliet (China Plate Theatre): Macbeth (Icarus Theatre)

Chris was formally 'Head of Sound' at Theatre Royal Stratford East and holds a degree in Sound, Light, and Live Event Technology BSc(Hons) from the University of Derby

Chris Murray’s excellent sound design brings clarity to Brayson’s score and Rice’s evocative lyrics

The Stage - From Here To Eternity review

London, UK

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