Sound Designer of Musicals and Plays
Credits include: The Secret Diary of Adrian Mole Aged 13¾; Love Letters (Queens Theatre Hornchurch): Ruff Tuff Cream Puff Estate Agency (Cardboard Citizens & Belgrade Theatre Coventry): The Great Murder Mystery; The Great Christmas Feast; The Lost Love Speakeasy (The Lost Estate): The Hired Man (Queens Theatre Hornchurch, Hull Truck, & Oldham Coliseum): The Strange Death Of John Doe (Hampstead Theatre): Mushy - Lyrically Speaking; Dishoom (Rifco & Watford Palace Theatre): Counting Stars; Love 'n' Stuff; Rapunzel; Summer In London (Theatre Royal Stratford East): On The Horizon, Centre Stage (P&O Cruises): Wretch; Stockholm; Cider With Rosie; The Caucasian Chalk Circle; The Kitchen; Nora - A Doll's House (Mercury Theatre Colchester): Puss In Boots; Beauty & The Beast (Belgrade Theatre Coventry): The Witches (Watford Palace Theatre): Coram Boy; Assassins; American Idiot; Swallows & Amazons (Mountview): Lillies on the Land; Summerfolk (East 15)
As associate designer: Kam Yama Kam (Saudi Arabia): Nigel Slater's Toast (PW Productions): Romeo & Juliet (China Plate Theatre): Macbeth (Icarus Theatre)
Chris was formally Head of Sound at Theatre Royal Stratford East, and graduated from the University of Derby in Sound, Light and Live Event Technology BSc (Hons).
Future productions include:
- Glitterball (Rifco & Watford Palace Theatre)