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Chris is an experienced sound designer specialising in musicals and plays, based in London. With over 15 years of experience in the industry, Chris has designed sound for a wide range of productions, including

From Here To Eternity (Charing Cross Theatre): The Secret Diary of Adrian Mole Aged 13¾; Love Letters (Queens Theatre Hornchurch): Ruff Tuff Cream Puff Estate Agency (Cardboard Citizens & Belgrade Theatre Coventry): The Great Murder Mystery; The Great Christmas Feast; The Lost Love Speakeasy (The Lost Estate): The Hired Man (Queens Theatre Hornchurch, Hull Truck, & Oldham Coliseum): The Strange Death Of John Doe (Hampstead Theatre): Mushy - Lyrically Speaking; Dishoom; Glitterball (Rifco & Watford Palace Theatre): Various Pantomimes (Belgrade Theatre Coventry): Pantomime (Imagine Theatre): The Welkin (Rose Bruford); T
he Witches (Watford Palace Theatre): Addams Family; Once; Mrs Beeton Says; Coram Boy; Assassins; American Idiot; Swallows & Amazons (Mountview): Counting Stars; Love 'n' Stuff; Rapunzel; Summer In London (Theatre Royal Stratford East): On The Horizon, Centre Stage (P&O Cruises): Wretch; Stockholm; Cider With Rosie; The Caucasian Chalk Circle; The Kitchen; Nora - A Doll's House (Mercury Theatre Colchester): Lillies on the Land; Summerfolk (East 15) 

As associate designer: Kan Yama Kan (Saudi Arabia): Miranda (Cologne Opera): Ride (Southwark Playhouse)
Nigel Slater's Toast (PW Productions): Romeo & Juliet (China Plate Theatre): Macbeth (Icarus Theatre)

Prior to his freelance work, Chris served as Head of Sound at Theatre Royal Stratford East. He holds a degree in Sound, Light, and Live Event Technology from the University of Derby

Chris Murray’s excellent sound design brings clarity to Brayson’s score and Rice’s evocative lyrics

The Stage - From Here To Eternity review

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